News of the dramatic upswing in the sales of vinyl albums over the course of the last decade – to levels not seen since prior to the digital age – should come as no surprise to faithful Dying Scene readers. While reissues of classic albums from the 1970s and ’80s tend to rule the popular charts, the punk and hardcore and metal and indie scenes are well represented in the area of sheer volume of new releases and options and variants being cranked out week after week.
Leading the charge in the vinyl revolution has been none other than dyed-in-the-wool punk rock label Pirates Press Records. Founded by Eric “Skippy” Mueller back in 2005 as the advertising arm of the vinyl manufacturer that shares its name and was started a year prior, Pirates Press has built a name and reputation as putting out some of the more special and innovative releases available, particularly under the street punk umbrella. Cock Sparrer “Essentials “boxed set? That was Pirates Press. 46-album Rancid 7-inch boxed set? Pirates Press. Noi!se 12-inch single featuring three-dozen assault rifle-style bullets milled out of the vinyl itself as a fundraiser to tackle gun violence and school shootings? Pirates Press. Playable The Ratchets hologram vinyl (yes…effing playable hologram vinyl!)? Pirates Press, of course. New The Old Firm Casuals full-length that allowed me the opportunity to chat for like an hour with the great Lars Frederiksen a few weeks ago (okay, maybe that one’s not necessarily cutting edge, but it’s my story, dammit)? You

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