I read an interview with Frank Iero the other day in which he talked about his musical career, and in the process of doing so he mentioned – and I’m paraphrasing here because I can’t find the original quote – that he enjoys the honeymoon period of a new project where you don’t really know what it’s going to turn out like and you’re nervous but excited because you get to figure that out together. When Iero brought his newest project, Frank Iero and the Future Violents, through Boston this past Sunday, barely 48 hours after the release of their debut album Barriers, the excitement was palpable and contagious for an obvious reason: Frank Iero and the Future Violents are a goddamn live freight train.
If you haven’t been keeping score at home, The Future Violents feature Iero and his frequent collaborator/guitarist/brother-in-law Evan Nestor joined by a few longtime scene heavyweights: Tucker Rule of Thursday and a bunch of other bands on drums, Murder By Death’s Matt Armstrong on bass and Kayleigh Goldsworthy of Dave Hause’s band The Mermaid and most importantly her own solo career on…well…just about every other instrument you can think of. Formed after the Iero and Nestor’s ill-fated and nearly fatal trip to Australia with their last project, Frank Iero and the Patience, a couple years ago, The Future Violents are rooted in Iero’s power punk songwriting core with some new sonic textures in the mix. In spite of having a comparatively few shows together under their