Three years ago, I was tasked with writing the introduction to our year-end Favorite Labels feature. I lamented the fact that trustworthy (and SANE) music curation had basically ceased to exist in an era where notoriety had become a confusing amalgam of happenstance, advertising algorithms, and cheap-as-fuck digital recording and distribution technology. Needless to say, the trend in that direction has only continued. And yet, even back then, it still felt a little awkward to be championing a list of… well, COMPANIES in the space where a list of “DIY bands” and “independent artists” would usually go.
But, as I also noted back in 2016, the hype and the topspin and the mega-accessibility and the a-little-too-perfect algorithms and the complacency of streaming services and the whole, ya know, terrifying post-truth, postmodern, post-feelings fragmentation of our current moment has made it more crucial than ever to have, as my former self said, a few “honest-to-goodness curators carving us a path through the madness.”
So, basically, if you still think it’s “not cool” to show love to record labels, sorry, but you’re reading the wrong feisty, independent music webzine. OK, sure; back in the early aughts, it might have been momentarily reasonable under certain circumstances to praise the independent genius of an artist and their work while dissing the oh-so-capitalist powers-that-be behind the scenes who were putting up the dough and cranking the gears of promotion — but come on, now. That’s some Ayn Rand BULLSHIT, and you know it.
The fact is, artists oftentimes

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